Theatricality – Antitheatricality: 

Transdisciplinary and Scenological Studies on Contemporary Theater 

29 November – 3 December (online)

Deadline for registration: 5 November 2021

Seats

300 Peoples

Speakers

16 Professionals

Organizers:

Institute of Modern Languages
University Bielsko-Biala (Poland)

Monash University (Australia)

Embassy of Argentina in Poland

Instituto de Artes del Espectáculo
University of Buenos Aires (Argentina)

Sponsors

Between day and night: transmigrations of space and time

The objective of the 3rd edition of the conference Theatricality – Antitheatricality is to study the processes of scenic creation, performance, and theater through the dimensions of space, time, and text (dramatic, literary, and plastic text). We want to analyze how the multi-faceted elements of space and time organize, articulate, and manifest  in other dimensions. We aim to do so by putting in dialogue different research fields such as theater, performance and body art, literature, the visual and plastic arts, and astrophysics. From Edgar Morin, Jacques Derrida, Gilles Deleuze, Félix Guattari, among others, concepts such as complexity, dissemination, and dispersion, point to a new conceptualization of time and space. In recent years, human life has been transformed by new factors that increasingly emerge in the environment such as…?. Space is a receptor of infinite relationships and fractalities activating the idea of ​​being in a place, here and now, but what happens when that here-and-now dimension is disrupted and transmuted? This is the question pervading Samuel Beckett’s poem “Dieppe”:

quotation-marks

What would I do without this world faceless incurious  
where to be lasts but an instant where every instant  
spills in the void the ignorance of having been  
without this wave where in the end  
body and shadow together are engulfed  
what would I do without this silence where the murmurs die  
the paintings the frenzies towards succour towards love  
without this sky that soars  
above its ballast dust  
what would I do what I did yesterday and the day before  
peering out of my deadlight looking for another  
wandering like me eddying far from all the living  
in a convulsive space  
among the voices voiceless  
that throng my hiddenness 

quotation-marks

Moving from the dynamics at play in physical and non-physical processes of creation, the construction of space-time metaphors generates new possibilities and “creative devices” (Borges, circa 1925) that bring us closer to creation events and different scenic poetics. The idea of “theatrical transmigration” (Dimeo 2015) proposes the relativization of the space-time-real dimensions in the arts of scenic creation (being it theater, performance, or installations), adding also to some literary experiences that can become scenic. We want to propose that the successive accumulation of what we call “theatrical transmigrations” (Dimeo 2015) and the modeling of various creative devices allow the artist to approach different conceptions of space and time.

 

We invite you to re-think scenic creation experiences through a vision that exceeds the dimension of the world in which we live, overcoming the frontier of reality. We ask you to question, review, and reconfigure known notions of space and time in the process of theatrical, scenic, and broadly artistic creation. We propose a series of ideas and themes open to  further possibilities that allow us to approach new dimensions of the spatial-temporal processes of creation from a multitude of perspectives, condensed and/or disseminated in the creative spaces of the scene. These perspectives are (but we welcome more) the sidereal space, other possible worlds, virtual space, literary space, unknown dimensions of space and time, science fiction (is it possible in theater and performance, installation,, the  visual arts?), virtual spaces and virtual times in theater, performance, and other art forms.

SUGGESTED TOPICS TO CONSIDER
(NOT LIMITED TO)

  • The Infinite space
  • The world out of orbit
  • Terrestrial space, outer space, and intergalactic space
  • Installations, poetic, and plastic creations of the installations
  • Art, creation of the Galaxy
  • Theater and text: two dimensions of the world and space
  • Theatricality and literature: the literary dimension in performance
  • Textual and theatrical borders: The body as a literary text, the body as a performative text, the body as a theatrical text
  • Languages ​​of virtuality in the scenic space
  • Linguistic transmigration: between the plastic world, the corporeal world, the theatrical world
  • Performance: Theater or antitheater?
  • Proposals towards other Galaxies
  • The virtual dimension in performance and theater
  • Time in dramatic writing, time in stage writing
  • Time-tunnel

KEYNOTE SPEAKERS

Graphics Designer

This is the place to present the bio of Jason. He is a cat and dog loving person, who loves sunday ice creams, Lady Gaga and everything Apple related.

Jonathan Morgan

Jonathan Morgan

Graphics Designer

Special events – open debates

Representations of time and space in the oeuvre of Samuel Beckett

Chair: Lucas Margarit (University of Buenos Aires)

Guests: Prof. Luz María Sánchez Cardona (Metropolitan Autonomous University, Mexico)

               Prof. José Francisco Fernández (University of Almeria, Spain)

               Prof. Lucas Margarit  (University of Buenos Aires, Argentina)

Transmigration in space and time: an Australian perspective

Chair: Dr Angela Viora (Monash University)

Guests:

Europes Largest Events

If you are wondering what kind of a place you are going to visit when you participate in this exciting conference, move your mouse to the point you wish to see. Take a complete tour throughout the conference area. See beforehand the place we are going to host you.nnItu2019s not just Europeu2019s largest companies that will be at Event Summit, but over 7,000 CEOs from companies of all sizes and industries. Where will your company be?

Current & Past Sponsors

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Schedule

09:00 AM
09:00 AM - 10:00 AM
Ballroom A

Opening Keynote

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10:10 AM
10:10 AM - 11:20 AM
Ballroom A

Building a Better OpenStruct

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10:10 AM
10:10 AM - 11:20 AM
Ballroom B

Bootcamp Grads Have Feelings, Too

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10:10 AM
10:10 AM - 11:20 AM
Ballroom C

Building maintainable command-line tools

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11:30 AM
11:30 AM - 12:20 PM
Ballroom A

Continuing Education at Work

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11:30 AM
11:30 AM - 12:20 PM
Ballroom B

Deletion Driven Development: Code to delete code!

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12:30 PM
12:30 PM - 01:30 PM
Ballroom B

LUNCH

01:45 PM
01:45 PM - 02:30 PM
Ballroom A

A Look at Hooks

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01:45 PM
01:45 PM - 02:30 PM
Ballroom B

Why recursion matters

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09:00 AM
09:00 AM - 10:00 AM
Ballroom A

How Sprockets works

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10:10 AM
10:10 AM - 11:20 AM
Ballroom A

ActiveRecord vs. Ecto: A Tale of Two ORMs

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10:10 AM
10:10 AM - 11:20 AM
Ballroom B

Storytelling with Code

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10:10 AM
10:10 AM - 11:20 AM
Ballroom C

Writing a Test Framework from Scratch

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11:30 AM
11:30 AM - 12:20 PM
Ballroom A

Excellence through diversity

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11:30 AM
11:30 AM - 12:20 PM
Ballroom B

From zero to API hero

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12:30 PM
12:30 PM - 01:30 PM
Ballroom B

LUNCH

01:45 PM
01:45 PM - 02:30 PM
Ballroom A

A Look at Hooks

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01:45 PM
01:45 PM - 02:30 PM
Ballroom B

Why recursion matters

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09:00 AM
09:00 AM - 10:00 AM
Ballroom A

Your First Legacy Codebase

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10:10 AM
10:10 AM - 11:20 AM
Ballroom A

Pat Packet Visits Ruby Rails

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10:10 AM
10:10 AM - 11:20 AM
Ballroom B

How We Deploy Shopify

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10:10 AM
10:10 AM - 11:20 AM
Ballroom C

Let's Write a Web Server!

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11:30 AM
11:30 AM - 12:20 PM
Ballroom A

Foreign API Simulation

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11:30 AM
11:30 AM - 12:20 PM
Ballroom B

Postcards from GorbyPuff

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12:30 PM
12:30 PM - 01:30 PM
Ballroom B

LUNCH

01:45 PM
01:45 PM - 02:30 PM
Ballroom A

A Look at Hooks

Curabitur ligula sapien, tincidunt non, euismod vitae, posuere imperdiet, leo.
01:45 PM
01:45 PM - 02:30 PM
Ballroom B

Why recursion matters

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Venue


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Millennium Hotel

50 W 5th St, Cincinnati, OH 45202, USA

Get Direction
© 2021 University of Bielsko-Biala. Admnistrated by Carlos Dimeo email: cdimeo@ath.bielsko.pl tel.: +48 338 279 265