Theatricality – Antitheatricality
what would I do without this world faceless incurious
where to be lasts but an instant where every instant
spills in the void the ignorance of having been
without this wave where in the end
body and shadow together are engulfed
what would I do without this silence where the murmurs die
the paintings the frenzies
towards succour towards love
without this sky that soars
above its ballast dust
what would I do what I did yesterday and the day before
peering out of my deadlight looking for another
wandering like me eddying far from all the living
in a convulsive space
among the voices voiceless
that throng my hiddenness
– The Infinite space
– The world out of orbit
– Terrestrial space, outer space, and intergalactic space
– Installations, poetic, and plastic creations of the installations
– Theater and text: two dimensions of the world and space
– Theatricality and literature: the literary dimension in performance
– Textual and theatrical borders: The body as a literary text, the body as a performative text, the body as a theatrical text
– Art, creation of the Galaxy
– Languages of virtuality in the scenic space
– Linguistic transmigration: between the plastic world, the corporeal world, the theatrical world
– Performance: Theater or antitheater?
Proposals towards other Galaxies
– The virtual dimension in performance and theater
– Time in dramatic writing, time in stage writing
– Time-tunnel
– The Infinite space
– The world out of orbit
– Terrestrial space, outer space, and intergalactic space
– Installations, poetic, and plastic creations of the installations
– Theater and text: two dimensions of the world and space
– Theatricality and literature: the literary dimension in performance
– Textual and theatrical borders: The body as a literary text, the body as a performative text, the body as a theatrical text
– Art, creation of the Galaxy
– Languages of virtuality in the scenic space
– Linguistic transmigration: between the plastic world, the corporeal world, the theatrical world
– Performance: Theater or antitheater?
Proposals towards other Galaxies
– The virtual dimension in performance and theater
– Time in dramatic writing, time in stage writing
– Time-tunnel
– prof. Patrice Pavis (Université Paris 8, France)
– prof. Anna Węgrzyniak (University of Bielsko-Biala, Poland)
– prof. Jorge Dubatti (University of Buenos Aires, Argentina)
– prof. Lucas Margarit (Universidad of Buenos Aires, Argentina)
– prof. Marek Bernacki (University of Bielsko-Biala, Poland)
– prof. Maria Korusiewicz (University of Bielsko-Biala, Poland)
– prof. Carlos Dimeo Álvarez (University of Bielsko-Biala, Poland)
– prof. Michał Kopczyk (University of Bielsko-Biala, Poland)
– prof. Dorota Fox (University of Silesia, Poland)
– dr. Aneta Głowacka (University of Silesia, Poland)
– prof. Carlos Dimeo Álvarez (University of Bielsko-Biala, Poland)
– dr. Agnieszka Palion-Musioł (University of Bielsko-Biala, Poland)
– dr. Aneta Głowacka (University of Silesia, Poland)
– dr. Angela Viora (Monash University, Australia)
– dr. Tomasz Jerzy Brenet (University of Bielsko-Biala, Poland)
– Aleksandra Hasior, MA (University of Bielsko-Biala, Poland)
– Agnieszka Kliś, MA (University of Bielsko-Biala, Poland)
– Artur Biela, MSc (University of Bielsko-Biala, Poland)
– prof. Patrice Pavis (Université Paris 8, France)
– prof. Anna Węgrzyniak (University of Bielsko-Biala, Poland)
– prof. Jorge Dubatti (University of Buenos Aires, Argentina)
– prof. Lucas Margarit (Universidad of Buenos Aires, Argentina)
– prof. Marek Bernacki (University of Bielsko-Biala, Poland)
– prof. Maria Korusiewicz (University of Bielsko-Biala, Poland)
– prof. Carlos Dimeo Álvarez (University of Bielsko-Biala, Poland)
– prof. Michał Kopczyk (University of Bielsko-Biala, Poland)
– prof. Dorota Fox (University of Silesia, Poland)
– dr. Aneta Głowacka (University of Silesia, Poland)
– prof. Carlos Dimeo Álvarez (University of Bielsko-Biala, Poland)
– dr. Agnieszka Palion-Musioł (University of Bielsko-Biala, Poland)
– dr. Aneta Głowacka (University of Silesia, Poland)
– dr. Angela Viora (Monash University, Australia)
– dr. Tomasz Jerzy Brenet (University of Bielsko-Biala, Poland)
– Aleksandra Hasior, MA (University of Bielsko-Biala, Poland)
– Agnieszka Kliś, MA (University of Bielsko-Biala, Poland)
– Artur Biela, MSc (University of Bielsko-Biala, Poland)
All participants from Poland, please make a transfer to the following bank account:
Conference fee: 180 zł
Akademia Techniczno-Humanistyczna, ul. Willowa 2, 43-309 Bielsko-Biała
Konto nr: 73 1240 4142 1111 0010 5457 2831
Bank PEKAO S.A. o/Bielsko-Biała
Tytuł wpłaty: Teatralidad (Imię Nazwisko)
Conference fee: 40 euros
University of Bielsko-Biala Poland, ul. Willowa 2, 43-309 Bielsko-Biała
IBAN: PL 39 1240 4142 1978 0000 4824 0356
Bank: PEKAO S.A./O. Bielsko-Biała, SWIFT/BIC: PKOPPLPW
Title: Teatralidad (Name Surname)
All participants from Poland, please make a transfer to the following bank account:
Conference fee: 180 zł
Akademia Techniczno-Humanistyczna, ul. Willowa 2, 43-309 Bielsko-Biała
Konto nr: 73 1240 4142 1111 0010 5457 2831
Bank PEKAO S.A. o/Bielsko-Biała
Tytuł wpłaty: Teatralidad (Imię Nazwisko)
Conference fee: 40 euros
University of Bielsko-Biala Poland, ul. Willowa 2, 43-309 Bielsko-Biała
IBAN: PL 39 1240 4142 1978 0000 4824 0356
Bank: PEKAO S.A./O. Bielsko-Biała, SWIFT/BIC: PKOPPLPW
Title: Teatralidad (Name Surname)
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